theatre (2008 - 2016)
Theatre I
Theatre I
Theatre II
Theatre II
Theatre III
Theatre III
archive (2008 - 2016)
Archive I
Archive I
Archive II
Archive II
Archive III
Archive III
Convention centre (2008 - 2016)
convention centre I
convention centre I
convention centre II
convention centre II
convention centre III
convention centre III
synagogue (2008 - 2016)
synagogue I
synagogue I
synagogue II
synagogue II
synagogue III
synagogue III
hotel (2008 - 2016)
hotel I
hotel I
hotel II
hotel II
library (2008 - 2016)
library I
library I
library II
library II
do people know who you say you are? a gothic reimagining of the self

I return to the Gothic because it knows what to do with fear.
In the 1790s, Gothic fiction gave shape to the anxieties stirred by revolution. Darkness, confusion, blood and horror became a way of processing a world that no longer felt stable. I am drawn to that tradition not as nostalgia, but as a way of thinking through the instability of the present: personal, political and social.
In this body of work, buildings are not neutral backdrops. Each structure carries a purpose, and that purpose becomes the frame through which I explore the tension between self-knowledge and reputation. What is known privately, what is performed publicly, and what society chooses to conceal all begin to press against one another.
In Cape Town, architecture and urban space still carry the pressure of history. Buildings do not simply house experience; they reveal it, contain it, distort it and sometimes hide it in plain sight.
As in the Gothic tradition, architecture becomes psychological. Rooms, facades, thresholds and objects act as mirrors for the self. They hold the visible and the hidden, the respectable and the feared, the parts of us that are displayed and the parts that return despite being buried.
sources
Ronald Paulson, Representations of Revolution, 1789–1820 (New Haven: Yale University Press, 1983), 220–221.
John Bowen, “Gothic Motifs,” The British Library, accessed 15 June 2026, https://www.britishlibrary.cn/en/articles/gothic-motifs/.
Jerrold E. Hogle, ed., The Cambridge Companion to Gothic Fiction (Cambridge: Cambridge University Press, 2002).
Ivan Turok, Justin Visagie and Andreas Scheba, “Social Inequality and Spatial Segregation in Cape Town,” in Urban Socio-Economic Segregation and Income Inequality: A Global Perspective, ed. Maarten van Ham, Tiit Tammaru, Rūta Ubarevičienė and Heleen Janssen (Cham: Springer, 2021), 71–90, https://doi.org/10.1007/978-3-030-64569-4_4.
Margot Strauss, “A Historical Exposition of Spatial Injustice and Segregated Urban Settlement in South Africa,” Fundamina 25, no. 2 (2019): 135–168, https://doi.org/10.17159/2411-7870/2019/v25n2a6.

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